“ “No, the moon is a desert”. This was the poet’s reply, to judge by the last card put down on the table: the bald circumference of the Ace of Coins. “From this arid sphere every discourse and every poem sets forth; and every journey through forests, battles, treasures, banquets, bedchambers, brings us back here, to the center of an empty horizon.” ”
from The Castle of Crossed Destinies, Italo Calvino. 1
1
a rested vision
of a hardened
desert space
and a cemetery
of a type
perhaps contorted
with scented headstones
and of
placement there
inspired by an obsession
for something other
than one’s heart
a premonition
as to beginning
a commitment
to some land
that functions only
or is it mainly
as enclosure
or in contrast to a life
it had been taken
very practically
and preparation had been made
for travel
inoculation
application for current
paperwork
and some purchasing
of items
thought required
a painted bowl
some milk
the sugared artefacts
of weathered trees
no flight was made
the empty space
was true all right
any dream
was off the mark
it had been thoughts
of an outside identity
masking blood
and heart
that had been left
without
sufficient water
and a burial
of a need
for substitution
that was desired
2
and yet
a state
of being
desert
it still entices
unmodulated sky
a lesser watered air
the dust
and some knowledge
beginning not in mind
but with deficiencies
in pleasure
that being there some time
requires
not only
an exuberance of spirit
but also
sacrifice
of an ability for sustenance
and
belittlement of time
3
abandon
with some certainty
with haste
what feelings
most unsettle
your composure
amongst the muddied
heat
a need to know
where thirst
will be
best satisfied
or where
a sweetness
coloured green and orange
grows well
nostalgia for
the taste of salt
the body stands
within
an area
unfamiliar
with the principle of
over flow
and also that
of over growth
make do
with loneliness
of sorts
in terms of livelihood
and botany
and revel
in
the knowledge
of the end
of having water
in one’s heart
revel in an unfulfilling
state
of constant dehydration
4
to be without
some water
in one’s heart
does not
require
that anything
be felt
neither sadness
nor despair
nor done
apart from starting thinking
apart from searching for
a cacophonous song
to rouse the blood instead
like dust
an absence asks
for nothing
like constant rain
as yet another type of lack
it irritates
although
a mood
will not grow kinder
in conjunction with
its reappearance
for then
one finds oneself
constrained
into
some other
state
of being
in which
it is much easier
to finally
dishonour
one’s
affairs
5
the sacrifice
in thought
one needs to make
is not
in plans for
company
no
nor even thoughts of access
to
clean
and flowing water
purified
by the macerated twigs of certain trees
by pomegranate rind
and milk
no
nor even cooling food
sliced up tomato
or cucumber
contrasted with sharp cheese
it is a giving over
of a different kind
one must allow
to disappear
the thought
of precious bodies
in some danger
a twisting of the foot
ignored
a stumbled move
neglected
perhaps resulting
in default of fear
but not of tenderness
a thought one carried
in one’s heart
when forced to cross
the threshold
from
abundance
into
dust
leave it
at your feet
that crumpled bottle
jostling with bloodied water
and breath
the air
of almost lifeless places
for there
peace will be made
with dust
and lack of moisture
6
it is strange
the glory held for water
rain
and damp
when dryness
dust
and heat
are more refreshing
to ones need
for certainty
upon awakening
the air is
silent
new
and cold
and there is
little moisture
on the ground
but nothing much
that it could bond to
for the dust
would soak it up
and still be dust
this is the fear that water has
of dryness
that it will be absorbed
it is a fear most have
some knowledge of
and
within the desert
that old fear
is brought
into the light
near every morning
as
upon awakening
it is recalled
that all the moisture
in one’s body
is to be drawn
into the dust
that very day
and if one will
survive
must be replaced
by careful
dedication to
the ground
one rested on
the night before
not only dedication to the ground
but knowledge of it too
the knowledge one consumes
upon observance of
a desert scene
for generations
a thousand years
this is a model
of consumption
one might battle caution for
watch as every
dawn
emerges
and the sun beats
down
on dust
dust
ground out
from lack
of water
and from
wind
that still erodes
and gains in force
with every distant
tide
7
in a desert
shall you try
to find me
hiding there
most likely
from what some think
is life
it is
however
a bad selection in your judgments
to think the desert void of life
but it is common though
to think this way
and they should now forgive themselves
those who linger in politeness
waiting only
for discovery of gold
the dust
and heat
and need
to look much closer
make most who pass through
think this way
or rather
then confirm
their thoughts
on solitude
and lack of
easy water
as thoughts
it would be better
to misplace
8
to watch
how water
percolates
beneath the
desert ground
one has to understand
the need
for architecture
for entertaining
enclosed space
one has to watch
the dust
and wind
envelope channels
dug
between the air
and darkest ground
and wait
with heated breath
sit crookedly
approach an awkwardness
towards your thoughts
of better self
don’t listen to a sound
the wind creates
but wait
as all discomfort
in the gap
between
each action you forget
and then remember as enacted
erodes
as well
the way
the matter
that now
constitutes
this desert
has eroded
from some larger form
and will erode
much further
in
due time
until
it comes to make up
nothing
and then disappears
from view
watch
this matter
as it disappears
and you will learn
how water
can be drunk
9
in desert space
not everything requires
an answer
this is the result
of dryness
solutions were made
for
damper worlds
the desert cannot ask
for your forgiveness
it is immune to worry
and is indifferent
to all thoughts
of compromise
it asks instead for you
to not equivocate
but rather
choose the loss
that will be made for you
knowing well that loss is nothing
to be feared
within the desert
it is the state of being dust
10
any broken thing
that might yet start
to symbolise
another broken thing
within the desert
is made
somehow invisible
eroded by
the heat
and by the sun
anything unnoticed
in the desert space
becomes unfit to
quickly categorise
interrogates decisions
made by goats and snakes
based on errant logic
and connections
and then reverts itself to
liking only feeling
feelings such as
being either famished
or defeated
underneath a total radiance
of sky
the space outside
this meaning
or all the space corralled inside
defeats the concept
of glad boundaries
then provokes
a new desire
a radiation of identity
or
a constant fighting back
such combat is avoidable
in the area of space
becoming dust
once entered into
an avoidance
is the only thing worth promising
and the route through such a promise
developed over centuries
can offer
strategies
for grace
in understanding
how to rend a price
available to almost all
from endless dust
11
dust is still navigable
one only need look up
dust
and dryness
can be endured
if one submits
to the idea
of holy ground
knowledgeable
of the water
underneath
and the lack of boundary
between
oneself
and the want of prayers
for easy types
of strategies
enabling heavy thoughts
of separate growth
12
in a desert
one will never see
reflection
of the figure
one might wish to be
the saviour
or the heroine
there is no excess liquid for reflection
one must suffice with
only superficial waters
and there is nothing to be fixed or saved
save
for what is cloying
in one’s head
no figure
good for substitution
the desert humbles
fantasy
if it is desert proper
dry
forgoing water
water beautifies and swells
it is the perfect vehicle for transmission
of a theology
it amplifies our selfish dreams
…
Alan Cunningham is a writer and filmmaker. Previous work includes Count from Zero to One Hundred (2013) and Sangar (2019). Originally from Ireland, he is now based in London. Website: www.alanmcunningham.com
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